Why
is photojournalism not dead? I think it is because of the particular attributes
of the still photography that in the hands of some people makes it possible
to freeze atomic sections of time when our human nature stays exposed. Are
these time sections also the "decisive moments" of Cartier Bresson?
I do not know, but it is absolutely magic when your attention is drawn to
the picture and suddenly all the perceptual noise stops and you know beyond
words that there is something about yourself there.
Christopher Grabowski
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